Axe Tour of Norway and Sweden: Part 2
The day after I landed in Oslo I took a 3-1/2 hour train trip north to the Hjerleid Craft School in the town of Dovre. I spent the next 10 days there teaching a class on forging Viking age axes. There were 12 students in the 1-year class, which is run by Benjamin Kjellman-Chapin – head of the blacksmithing department. The enthusiasm of Benjamin and the students was awesome and each student finished an axe. Although I’d had some second thoughts just before I left about my commitment to teach a relatively difficult subject to so many students so far away, the class was a great success and a huge amount of fun as well! I miss them all and hope to return.
- Leaving Oslo
- Headed up the Gudbrandsdal
- Into the mountains
- The town of Dovre
- A walk around the school
- Farm in the valley
- View from the smithy
- Hjerleid Craft School
- Class begins
- I demonstrate…
- …and the students follow
- They’re a great bunch!
Experimenting with Axe Socket Forging
One of my longest standing goals as a professional blacksmith has been to forge socketed wood working axes in the traditions of northern European examples. In my opinion these axes are quite possibly the most beautiful tools in the world. The forge welding in these axes is complex and requires a strategy, tool-set and control of form which showcases the extraordinary skills possessed by many traditional blacksmiths. After tackling asymmetrically welded eyes on traditional Viking axe forms over the last 4 years (by no means a finished topic for me) I have recently turned my attention to the techniques needed to produce socketed axes. I have researched various techniques and followed the work of wonderful blacksmiths in Scandinavia, Europe and the US to see how I might approach this. The pictures below show the progress I’ve made by my 3rd trial socket. It is produced by free-hand forging on a power hammer and was made without a mandrel. I learned a lot on this piece and in the work leading up to it. I hope to travel this year to meet some of the smiths I admire so that I can learn much more about this process from them and about specific axes produced for timber framing and carving over the last several centuries.